_//\\________________________________________________________________________ _\\__T_A_T_I_C___L_I_N_E_________________________________________ June, 2000 __\\_________________________________________________________________________ \\//__ Monthly Scene E-Zine ________________________________ 130 Subscribers _____________________________________________________________________________ --=--=-- --=--=------=--=------=--=---- Table Of Contents ----=--=------=--=------=--=-- Opening: Message From the Editor Letters From Our Readers Features: The Root -- How They Got Involved (This Month: Screamager) Columns: Music: The Listener -- Music from Esem, Chimera, Xhale and many Others Retro Tunage -- Ambrozia by Pulse Demo: Screen Lit Vertigo -- 'Nature Suxx' by Federation Against Nature Intro Watch -- 'Fungi' by Throb General: Scene Dirt -- News & Rumors Call to Keyboards -- Organization is Key -- A Note From BZZ Link List -- Get Somewhere in the Scene Closing: Credits --=--=-- --=--=------=--=------=--=---- Message From the Editor ----=--=------=--=------=--=-- Thank you all for your patience. I like to pride myself on (before this issue) always making deadlines. I have not once missed my own deadline, and Static Line has always been delivered on-time to your mailbox. However, this broke this month -- but I'm sure you'll understand. Without going into too much detail, my mother was diagnosed with Kidney Cancer. She went for surgery early this week to have her kidney removed. Unfortunately, that will not be the end of this ordeal, and I have made efforts to deal with it. Needless to say, Static Line was not at the top of my mind these past few weeks. Thus, I worked on it when I could, and unfortunately that means it is late. Well, All said and done, this month is completed. There are a few articles that were sent to me from outside sources. Please realize that though I make efforts to publish most things that come to my mailbox, I will not publish EVERYTHING. The two most common reasons I don't publish an article are as follows: 1) A Poor Article: If it doesn't make sense, it doesn't get published. I will correct grammar and English, but I will not rewrite articles so that they make sense. 2) Legal Issues: I gotta watch my butt too! If there is something mentioned in the article in which I do not have ample proof, the article will not get published. If you have any accusations about song ripping, code ripping or any sort of legal issue, please send proof. Please keep that in mind if you send me an article. Thanks. Well, here's the June issue -- Enjoy! --Coplan --=--=-- --=--=------=--=------=--=---- Letters From Our Readers ----=--=------=--=------=--=-- -=- Letter from Wayfinder -=- Hi :D First of all, thanks for all the kind treatment in this last issue of Static Line...this goes out to you (coplan =), setec and tryhuk :D) But I want to say that "Hymn" was not written be me alone, but in a cooperation with phace. So these flowers belong to him just as much. I'd be glad if you could mention that in the next issue of static line.. thank you! --Sebastian (Wayfinder) wayfinder@ber.netsurf.de -=> Reply from Coplan: My appologies to Phace! It happens, sometimes I have too much sugar before doing a review, and I get carried away. But, Wayfinder is correct, Phace deserves just as much credit as Wayfinder. The tune was incredible. =) A very honorable message from you, Sebastian. Thanks! --Coplan --=--=-- --=--=------=--=------=--=---- The Root How They Got Involved By: Screamager Sponsored By: Tryhuk ----=--=------=--=------=--=-- -=- Editor's Note -=- The Root is an unplanned mini-series of sorts. Tryhuk actually surprised me with this little project of his. Apparently, he has been tracking down some old-skool trackers and asking them to write a bit about how they got into the scene and their influences, as well as their opinions about the scene today. This is the first of (hopefully) more articles to come --Coplan -=- Hello, My name is Mehran Khalili. I am a 22-year-old e-Business consultant living and working in Luxembourg. Some time ago, I would write music under the name 'Screamager'. I am a member of the Kosmic Free Music Foundation, and Radical Rhythms. I was part of a scene of people who had a damn good time writing music, sharing music, dissing music, dissing each other, writing articles, going to demoparties and sleeping on dusty floors in large assembly halls. I want to share with you a few thoughts about how it started, and how it ramped off for me. Somewhere at the back of the cupboard with the GlitterBaby lava lamp on top of it lies 'The Ultimate MOD collection'. This is a CD that has pretty much all the Amiga modules every released from the end of the 80s (that far back?) to around 1993. This shiny shareware disc with orange writing on it, that I ordered by chance from a magazine, changed my life for a couple of years. Hearing the tunes on the CD, playing with the different settings, I was encouraged to experiment and make my own stuff. I discovered that you didn't need much musical ability to make a song, just a reasonable ear and some persistence. I remember how happy I was when I finally got my Soundblaster Pro to play modules in stereo, like an Amiga. This seems almost silly now. But it was much more than just making coherent musical output. What I discovered over the next five years was that writing music was like making a mental bookmark. If something happened to me, good or bad, it was automatically recorded in the music I wrote at the time. It's that subliminal message, those minor chords that turn the stomach. That girl, that party, that stupid thing you said, winning that tracking competition, wandering home from the University computer lab at 5am after a 12-hour IRC session in which you chatted about nothing in particular, that quote, that online fight, that logfile...and the spine of it all, the sound that makes you sit there with your eyes closed, hands squashing headphones to the sides of your head to sqeeze out every last decibel not to miss that bass, those drums, that chord change, thinking 'I MADE THIS?!'. However, gradually - and predictably - other, non-musical pursuits caught up with me. So now, I'm just a casual observer, a back-bencher. And what of the scene now? Well, I have no idea. I know that people still release music. I know that the scene has grown and grown into a rather unmanageable mess. I know that bandwidth is wider, and mp3's are an accepted standard, at least in the US, for transferring modules. I know that the demoparties died somewhat, somewhere along the way, and the old trackers 'got real lives' or now while away their hours on IRC without releasing. And every day, I tell myself that I'll write a few more tracks, that I will put up a new home page, upload all my songs to mp3.com like the rest of the old #traxers, and see how things go. And one day, I will. --Mehran [Screamager] For modules: http://www.valain.com/scrm For MP3's: http://www.scandal.org --=--=-- --=--=------=--=------=--=---- The Listener Music from Esem, Chimera, Xhale and many Others By: Tryhuk ----=--=------=--=------=--=-- -=- fluid & ttidi -=- -=- -- twilton & esem -=- Somehow I forgot to include review of this track in previous issue, but because Stereoman released another excellent track, at least I won't have to write about him twice. "fluid & ttidi" is electronic IDM meditation somewhere between dune (brothomstates), md and lackluster. On the strong rhythmic basement Twilton and Esem play with the sounds and build unseen soundscapes and go right into the heart of electronic music. Even being a lot experimental, they still keep the form of normal music, maybe because the most important instruments (bass, some of the percussion) are only light filtered, rest of the instruments move between normal sounds and unrecognizable fragments. In some parts it reminds me a lot on brothomstates, in some parts it sounds very original, but both parts are impressive and if you're a lover of electronic music, I think you should not miss it. If you are into this style, you may also try guest release "Uncompleted Consummation" by Teinai, which is more to orchestral music, but still very electronical. Another excellent release of stereoman is TDR prisoner numbered 164 and named "come visit my life". With this track stereoman turns back to his older music with lovely ambient structures, repetitive melodies, great drumlines and awesome atmosphere. Get it and listen to lovely trumpets. Song Information: Title: Fluid & ttidi Author: twilton & esem Release date: 4.2000 Length: 5m06s + 15m42s = 20m48s Filename: twilton-noise_fluid.mp3 + esem_noise_ttidi.mp3 File Size: 4.8mb + 14.7mb = 19.5mb total Source: www.noisemusic.org Song Information: Title: come visit my life Author: Stereoman (Esem) / Noise Release date: 24.apr.2k Length: 5m20s Filename (zipped/unzipped): tokyo164.zip / sm-cvml.it File Size (zipped/unzipped): 1084kb / 1198kb Source: www.tdr.scene.org -=- epoq ep -=- -=- -- chimera -=- Surfing on the net I found on "noerror" link on this, for download quite a big, EP and decided to check out this, for me a new, artist. This EP is announced as ambient, but as you start first track you'll immediately hear that the ambience is mostly caused by minimalistic attempt which in some tracks reflects in too monotonik sound. To be more exact, it is actually more movie sound which is based on variations of main theme. While in the movie goes one theme across all tracks, in this EP has every track different theme and style and so the main link of all songs is only this movie style. All 5 tracks sound very professionaly and I quite like them, I only don't like their a bit monotonik ambient sound - it's more for people who normally listen to soundtracks. I think that best way to decide whether you shall get it, is to get one track only (and information txt file). I personally like most "stagger" - track four, maybe because of its Buzz, Orbital and Underworld influenced sound. Well, if you don't mind downloading mp3 files, try it. Song Information: Title: epoq Author: chimera Release date: 5.5.2000 (planets in a row and this happens) Length: 27m36s Filename (zipped/unzipped): ch-epoq.zip / many files File Size (zipped/unzipped): 25mb Source: come.to/chimera hellven.traxinspace.com -=- Night wool -=- -=- -- xhale -=- Xhale is not only an excellent musician, but he is also a great graphician and belongs among few people who are really good in more kinds of art. Since the end of 1999 you can find in the web new group called "miasmah". Right now there are 10 releases out and it is a bit one man show with two guest releases only, but it's interesting show anyway. "Night wool" is in my opinion best music release of this one man group. Xhale's ambient style with occasional and instable beats is in this track influenced by european movie atmospheres and reminds me this way a bit on "Helden der Stille" by Vivid. Still, both tracks are very different and their common is a fact that they somehow describe empty, dark and strange world by sound. It would be also great music for a document about insects. Get it! Another excellent release hides under number 3 and it is called "Mohamira". Xhale writes: "I made a sort of remix of this tune which i released at asm99 called "smal red grapes" .. but i like the original (mohamira) much more .... The style is a bit jazzy chilly trip hop i think". I agree, but style doesn't include only jazz and triphop, but also dnb, breakbeat, ambient music and many other features which make xhale's music unique. Not that good as "Night wool", but still interesting track. Last track I want to mention is theralite release #7 called "Subjective fuse". It is different than the previous two tracks, influence by jazz and dnb is much stronger and so the most experimental are the trumpets as the leads. They play in unusual way, sometimes they are funky, sometimes sad jazzy. A song to finish with this three track xhale session. Good night. Song Information: Title: Night wool Author: xhale Release date: 20.4.2000 Length: 7m50s Filename (zipped/unzipped): mia9.zip / night_wool.mp3 File Size (zipped/unzipped): 7 305kb / 7 358kb Source: www.miasmah.cjb.net -=- Other tracks -=- Charlie Brown Records (CBR) active again and have two new releases out there. One is "Silent avantgarde", a very specific sort of triphop by Pedro (author of "Camel without filter"), available in XM and MP3 format. Second release is "Useless" by Dustbin, sounds like 1meg chip tune and didn't catch me, although it looks good. http://www.cbr.avnet.it Tokyo dawn records has a bunch of new releases by prymer, falcon, stereoman, looza, twister, etc. Grab music by your favourite artist, because they are too good to choose only some. http://www.tdr.scene.org Goodstuff has some new reviews and among them is a link on "Feels so Far", beautiful guitar track with vocals, composed by Radix and Lluvia. http://artloop.de/goodstuff Readers of "noerror" already know it, but rest of you, Skaven's fans, can scream, because he has a new page on mp3.com with some new tracks. I expected something a bit different, but it's still worth listening. http://mp3.com/skaven Azure has again some new cool releases. I was very surprised when I found out that Wayfinder doesn't appear in any charts. People, get his music and vote for him! http://azure.zerion.com Search for underrated artists brought me also to mp3.com pages of kilobite, because I wanted to get some music by Jobe. His style is here mostly weird mix of techno and electronica and many of the tracks aren't too interesting, but I've enjoyed track called "Avatara". It gives to the usual boring electronic techno stuff more scene sound with ambient background and chip style leads. Not bad. http://mp3.com/kilobite | jobe_-_avatara.mp3 | 4859kb | 2000 Living in spring is a musicdisk released by hellven in may 2000. It's compiled out of 15 tracks by many artists, Darkhalo and Xerxes are most known. They've both contributed with nice tracks and Darkhalo's song is like a lighthouse on this disk. It's most distinct and evolved track and only one which I would really recommend you to get. It's a lovely ambient shore meditation. Other tracks aren't bad, but you won't listen to them twice. Anyway, some people of this group will be worth checking in a year. http://hellven.traxinspace.com | 11 - twilight fireflies - spring mix (darkhalo).mp3 | 5,6mb -=- If you've heard any interesting tune that no one seems to know about, e-mail me or write a review. We have to support novices. Also, if you're owner of SB Live, check out listen.to/sblive page and grab program that patches EMU10K1.VXD and adds a Parametric Equalizer Effect. Send any comments you have. --Tryhuk --=--=-- --=--=------=--=------=--=---- Retro Tunage Ambrozia by Pulse By: Tryhuk ----=--=------=--=------=--=-- After reviews from the time of 1995/1996 I thought I could go back more to roots and check out a part of my mods collection. I've found many interesting pieces, like original "overture" by jogeir which has been done in 1992 and last year released on "Audiophonik" (in completely different quality). It's unbelievable, how the scene changed since the days and how a simple play with sounds turned into something more. But back to mods. This track together with "fountain of sighs" reminded me on "Ambrozia", overlooked musicdisk by Pulse, released in 1997. To be exact, "Ambrozia" contains music by Jogeir and Scorpik. It consists of the old hits like "field day" or "fountain of sighs", but it also has some newer songs, like excellent "ambrozia" or scorpik's "my styles" which is in the first part kind of celtic dnb ballad with excellent flutes, and electronic dnb in the second part. All songs in this musicdisk are of this kind. Guitars and flutes often dominate, but both authors don't defy of using electronical sounds and scene music structures and create this way unique style of music with very strong melodies. All 12 songs are very good and together with original interface they make a really excellent musicdisk, unfortunately oversighted by too many people. It's funny, because this musicdisk ended up first in Hugi #18 charts (maybe because of too many Polish voters). Anyway, get it and see how much can be done with just a little bit of effects, noisy 8 bits and a lot of talent. Don't make same mistake twice and get it. Song Information: Title: Ambrozia Author: Pulse (Jogeir+Scorpik) Release date: 4.4.1997 Length: ~70m Filename (zipped/unzipped): pls-amb.zip / many files File Size (zipped/unzipped): 5.5 mb / 10 mb Source: www.hornet.org -> search for "ambrozia" or "pulse" --Tryhuk --=--=-- --=--=------=--=------=--=---- Screen Lit Vertigo Things I remember from: 'Nature Suxx' by Federation Against Nature By: Seven ----=--=------=--=------=--=-- -=- Disclaimer/Rambling: -=- This month has been one of the busiest of my life. Prime culprit is my master thesis, that must be submitted today (it's 2:50 at night now), and that wasn't nearly finished a week ago. Add to this the last lessons, a bunch of projects and exercises and the forthcoming exams, and you won't be surprised that my scene-activity has been very low. As a matter of fact, the only slightly demo-related thing I did was reading my mail and csipd. Things should have been different, because I actually bought a 3D card. A Creative TNT2 32MB model 64, so almost all demos should run on it. Too bad the damn thing was incompatible with my 1.5 years old mainboard. 3D acceleration did work, maybe for 5 seconds, after which everything locked up. And even under normal operation my PC was about as stable as under Windows 1.0. After a week of downloading patches, fiddling with detonator drivers and calling the PC shop, I returned the card and re-installed my S3 Virge, so I could at least continue working on my thesis. Why am I boring you with this ? Well, the good thing about it was that I had, for 1 week, a card that supported 32-bit colors in 2D. Which meant that I could finally run Nature Suxx/Federation Against Nature. Too bad I forgot to write a review, and I only realized Coplan was waiting for a .rev from me after I returned the card ... Sigh. Since it's the only new demo I've watched this month, and since it's one of the most impressive demos I've ever seen, I decided to `review' it anyway, and at the same time give you some info about raytracing, so you can fully appreciate it. -=- Raytracing: -=- Raytracing works by shooting a ray through every pixel, and checking which object it hits. Then you find it's color, and by tracking even more rays from the hit-point to all light-sources and checking if there are other objects in between, you can know how much light this pixel receives, so you can create shadows. Needless to say, the whole process is very "maths", very complex and very slow. Federation Against Nature (FAN) recommends not to run Nature Suxx in 512*384 unless you have an Athlon 800, so that's an indication. Since raytracing does not benefit from that really expensive 3D card in your PC, you may wonder what's the point of doing real-time raytracing (RTRT), besides showing off your coding skills. Here are the main points, which you can also use to judge whether that new elite demo is really using RTRT, as it claims, or whether it is fooling you by using some clever tricks: * RTRT can use shadows. Not the usual circular blobs or simple projections on the floor, but razor-sharp 100% exact shadows that are cast on intersecting walls, other objects, and even the object itself, even with multiple lightsources. This IS possible to incorporate in a "normal" 3D engine, but I've seen only one demo pulling this off with more than a few cubes: The Fulcrum/Matrix. * RTRT can work on spheres, ellipsoids, cylinders and cones, without faking them with zillions of flat polys. In fact, the simple mathematic formulae to describe these objects are much more suited to RTRT then a big collection of surface-definitions. * RTRT can calculate reflections. Granted, most 3D engines can do this too, but can they show recursive reflection (mirrors in mirrors)? Can they show also spherical mirrors instead of just flat ones? RTRT can do this easily. * pixel-perfect intersecting objects. Another feature that's possible, but hard to do in polygon-based engines. Either you draw a whole poly at a time, resulting in jagged intersections, or you calculate the intersection line and you draw partial polys, but this is _slow_! In a RTRT engine, it's almost for free. * Certain special effects, like fog or volumetric lights. I think it works like this: you define a transparent object, and when a ray intersects it, the color of the ray becomes more or less bright, proportional to the distance it travels through the object. Real-time raytracing has long been upheld as the pinnacle of truly impossible-to-do-on-a-PC things. But around 1996, the first scene productions with some primitive RTRT showed up. Transgression 2 by MFX showed 3 scenes: 1 sphere on a floor, 2 cylinder-segments, and 6 pillars on a floor, forming an abstract temple. Very simple, and it looked extremely fuzzy, because they didn't use one ray for each pixel, more like one ray for each 8*8 block of pixels, and interpolating or blurring the colors. Later demos and intros improved on the sharpness, by using smaller blocks, 4*4 or 2*2, but the objects stayed the same: 3 or 4 spheres or cylinders and a floor. Since a few years, things have started to improve. Control/Green (2nd at Biz98) showed 3 spheres and 3 cylinders in 320*240, pixel-sharp. Myth Of Orion/Anaconda (1st at Euskal 7) had as far as I know the first "meaningful" objects, like an oasis with trees, albeit fuzzy. Last year, Slumpism/Pathos won the Ragest'99 64K intro, featuring sharp RTRT with reflections and some good design, and at this years Mekka/Symposium intro compo, the scenes in Heaven7/Exceed were the most beautiful ever. Planets circling over a landscape with craters, lit by beams of volumetric light, a small star-filled temple guarding a reflecting globe, spherical islands in wavy sea... Visual poetry. And at the same party, Nature Suxx was released. -=- Nature Suxx by Federation Against Nature -=- Found at www.scene.org 3rd place at Mekka Symposium System requirements: Extremely heavy CPU. PII 450 or better recommended, with 64 MB RAM A video card that supports 32-bit colors (24 does NOT work). DirectX 6.0, and a DirectX compatible soundcard. Windows9X. Test Machine: PII 350 64MB SB16, Win98 in dos-mode (BOOTGUI = 0) The demo: As you might have guessed, Nature Suxx is 100% raytracing. No pictures, no 2D effects, no flatshaded hi-res objects: just raytracing. And it's the most impressive raytracing I've ever seen. To start with, there are rooms, stairways, and doors... These things are easy to do with polys, but in RTRT, it's more the number of objects that counts rather than their form, and these objects require a lot of surfaces. The scenes have been carefully chosen to show the power of RTRT: rings rotating around a cylinder, volumetric lightbeams shining in a narrow corridor, pipe-filled room with reflecting floors, a lot of spheres bouncing in a disco-room with several multi-colored lights... The most impressive parts are a human figure, build from over 20 spheres, that is juggling with 3 balls, and a train that drives through an underground station. The way the light insides that train shines on the floor... Wow! You can check that this is true RTRT by pressing 'c', and move around with the mouse. When Quasar/Green came to help me with some LaTeX problem, I showed him Nature Suxx. He's the one who coded Control/Green's RTRT-engine, and at first he thought it might be faked. We use the mouse to move close to the edge of a cylinder, and we couldn't find individual polys... A nice gimmick is the eye that serves as the camera. You can see it's reflection on the walls, or when you use the mouse, the eye continues its flight through the rooms :) I don't remember much about the music, although I think it was in a house/techno style. Overall: Nature Suxx is a coder's demo: it wants to be technically top-notch, and it manages to do so. It's less beautiful then Heaven7, mainly because the textures look quite fuzzy, but technically it's better: way more complex scenes, more advanced effects,... It might be only a camera flight, and the font used for the greeting is too blocky, and ... Who cares? This demo has set the new standards for RTRT, and it certainly deserves a place in demoscene's history for that. --Seven --=--=-- --=--=------=--=------=--=---- Intro Watch 'Fungi' by Throb By: Gekko ----=--=------=--=------=--=-- Winner 64 kb intro at Paradox 2000 (Russia) Requirements: 32 MB RAM, Windows'95, DirectX, 320x200 (32/24/16) Download: ftp://ftp.scene.org/pub/parties/2000/paradox00/in64/fungi_f.zip Credits: Ubi (programming), Head (music) (Note: The intro starts with a precalculation. After a short while the progress meter stops. Don't press reset, the intro does not hang, after a time it goes on.) 'Fungi' is a Russian intro. It is the latest Jizz clone and it is not bad. Although what one notices the first time is the lack of originality and design. It contains a small poem which is not really good but is at least not annoying. The theme of it is dreaming. It tries to catch the moment when one awakes, but is not yet fully conscious and still dreaming. This theme -- dreams -- is a cliche in the demoscene, which serves as an excuse for putting together everything without any connection. There is a psychadelic trance/goa soundtrack which fits the intro and it is quite good, provided you like the style. The intro is quite fine from the coder's point of view. There are numerous effects. There are blurs and flashes synchronized to the music. The bitmap effects (plasmas, etc.) are miming the ones in Jizz. There is a good software rendering 3d engine with texture and environment mapping. Different 3d scenes are shown with it. There are very impressive 3d morphs; though it is possible that this is not an effect but a pre-keyframed animation. The intro ends with metaballs - this seems to be a compulsory part in Jizz-intros. Unfortunately the lack of design and the ugly colors spoil all the positive aspects. (eg. red, blue and purple together - this HURTS!) The textures are fine - except for the palette of a few of them - the font is not. All in all, this intro is not the best one, but is indeed quite promising. Technically it is already near the top, but there is a long way to go in design. --Gekko --=--=-- --=--=------=--=------=--=---- Scene Dirt News & Rumors By: Coplan ----=--=------=--=------=--=-- -=- Kosmic Signs on to MP3.com -=- It's true, Kosmic is now officially part of MP3.com. Some have coined the move as a "sell out" move. But, Maelcum has a point: Kosmic will always be around this way: http://www.kosmic.org/what.html -=- Formal Appology from BZZ -=- We have a formal appolgoy posted from BZZ (the name nutorious for the ripping of the prize winning Carlos song in Mekka). The English translation is included in this weeks 'Call to Keyboards'. --Coplan Scene Dirt is a semi-regular column offering the latest tidbits of information to its readers. If you have any bits of information that you think should be here, contact coplan (coplan.ic@rcn.com) and offer as much information as possible. --=--=-- --=--=------=--=------=--=---- Call to Keyboards Wrapup: Demoparties Required New Topic: Organization is Key -- A Note From BZZ By: Coplan ----=--=------=--=------=--=-- -=- Wrap Up: Demoparties Required -=- Psychic Symphony's Reply: I hope I am not too late with this reply, but this topic is to important to let pass unanswered. Why people go to demoparties? I am Portuguese. There never was a pc-demoscene demoparty in Portugal. I have attended 6 demoparties in the past 2 years and i'm planning another European tour with at least 4 more demoparties in mind this summer. I really don't know why I travelled alone to my first demoparty, which was wired98. I have no idea why I went! I didn't know many people and all I had was a crappy demo that I had made in a hurry. But something in my 18 year old body changed that weekend, and it wasn't puberty! I went beyond the stuff I had read and seen on my monitor and into the midle of the whole culture. And yes i was bored to death most of the time and that is very normal for the first demoparty. So why did I go again? The problem is you start knowing people and you want to meet more. You want to know how that guy came up with those ideas, and you want to share watching these things on the bigscreen for the first time. You want to know what this crew who has been making demos for the past 6 years look like. A norwegian scener said to me once and he was completly right: "If you are a scener, and i mean a REAL scener, then you are probably a friendly person." And he was right (despite that we were all a bit drunk for the occasion). Demoparties give you excuses to travel to far places, to live away from the boring surrounding society for at least that one weekend. You can say "I was there!" and the more you travel the more you want to re-meet friends. And nothing beats the awesome feeling of beeing able to say when it is time to go seperate ways: "Thank you for everything! I hope to see you around...at the next demoparty maybe?" There are people who prefer not to travel, there is nothing wrong with that either. Why would you want to be walking around a party place doing stuff you probably wouldn't do near your house? If you don't like socializing that doesn't make you any less of a scener. Demoscene is not just about going to demoparties, it's also mainly about the new-media art and the artists that have been working hard for the past week to release something in the compos. The important thing is participating. It's each person's way of living. Sometimes I wish I was home -- instead of being in a strange place full of kids playing an Unreal tournament -- just idling with style with 2 or 3 friends waiting for the compos to start. But hey, isnt idling with style what it's all about? =) --PS psychic_symphony@clix.pt -=- New Topic: Organization is Key -- A Note From BZZ -=- First a bit of an introduction is needed here. For those of you who weren't aware, the Mekka Symposium ended shortly before out last issue. Thanks to members of my staff, as well as many astute listeners, we were able to pin down a song "rip" titled: "I've A Jazzy Feeling". The song was released for the compo by BZZ, but is actually written by Carlos of Mandula. Well, it's been a month, and someone turned up an english translation of BZZ's letter in response to the acusations. Thanks to Tomcat/Greenroom for the translation (it was orginally in Hungarian), and to Seven for bringing it to my attention. The following message was found on the Greenroom Forums. Dear Interested! As I heard some correspondence has been started in my name, in which the responsibility bounces around, so I would like to clear the case. I am definitely responsible for what happened. The short story. Some time, around one or two years ago I wrote many musics, for which I ripped the samples from other musicians' songs. Those times have I fould the song by Carlos, perhaps on a PC-X Magazine CD or so. I really liked it, so I kept it, also and did some slight changes to the instruments and the panoraming. Later many of my own musics had been saved to that directory, which others - unsuspiciously, thinking those are all my works - copied for themselves. It was my mistake, because when they started admiring these songs (among them also this one) I felt proud undeservedly, although I were be able to apologize then without any consequences, saying "sorry, it's not my work, I just edited it, but it's a rip." And so later - also unsuspiciously - Mr. Pixel and Lord had the idea of entering this song to the Mekka-Symposium music competition, because they thought it's mine. So there was no way back: the song was out, entered the compo, and I only learned about it when it was late. I was still too coward to confess that it is a rip, so I simply prayed (to whom anyway?) that it must not win. It did. I didn't know what did I trust then. Like if a rock has fallen from my heart when it finally came to light, and I confessed that I am the guilty one. Of course the prize will be sent back to the Symposium organizers as soon as possible, so they could give it to the true winner, Carlos. I have signed it to the guestbook on the Mekka-Symposium website now, that I heard different versions about what happened. I am responsible, Mr. Pixel and Lord are innocent, and the true winner is Carlos. Thank you for reading this. And of course after sending the prize back I will disappear from the scene, I won't even enter compos on other names, I think this is fair. Greetings: BZZ Now I'm going to give the poor guy the benefit of the doubt, and I'm going to admit that I believe his story. But the issue here is not who ripped who, and what not. The issue all comes down to organization. I get picked on constantly because I have my entire hard drive sorted out to little itty bitty things. My music collection is sorted by group, then by artist, then by year (if my collection of that artist warrents more organization. My Subliminal and Setec Collections do). My own works are sorted in a similar manner. First my artist (Coplan, duh), then by finished or unfinished, then by format (my old stuff is still in MOD format, then some S3Ms then some ITs, and a few experimental XMs), then by style. Okay, so I get a bit carried away, I'll admit it. But no one ever has a question as to who owns a given song on my hard drive. There is also the issue of why anyone would want to steal my tunes -- they should probably have their heads examined. Back on track. The point is, you gotta somehow keep track of what you've done, and what you didn't do. Even if it simply means that you stick your name on the first line of any song before you start. Beyond that, there are no excuses. On a different note, I don't think that BZZ should leave the scene. But, that doesn't mean he shouldn't be flagged. It doesn't sound like he'd be a repeat offender, but one should possibly realize that he's learned his lesson either way. If not, just make sure someone checks out the tune for authenticity. So, you're assignment this month: Send in some tips and tricks for organizational methods. Also send in what you think BZZ's Fate should be (I assume that this will get a larger response). You're opinions here, please. --Coplan --=--=-- --=--=------=--=------=--=---- Link List ----=--=------=--=------=--=-- Featured Site: ACiD and Phluid http://www.acid.org http://phluid.acid.org Writeup By: Coplan Many of you will at least recognize the names ACiD and Phluid. Much to my surprise, they are both still alive and kicking. And here are the links to get you started. For those of you who know nothing about the groups, ACiD (and its daughter group: Phluid) are both old-skool groups in the scene. ACiD is known for its GFX of many styles -- though I remember it most for the ANSI GFX. Phluid is the musical counterpart of ACiD, and it would be hard to think of one without the other. There is still a lot of music to be heard there, but the only drawback is that they release in packs still -- even after the average song has gotten large enough to ask for a personal download. But if you got the time and/or the bandwidth, grab some stuff from their site -- and get a taste of the what the scene used to be like. Groups: 3g Design..............................http://3gdesign.cjb.net Aardbei.....................................http://aardbei.com ACiD.......................................http://www.acid.org Acid Rain..............................http://surf.to/acidrain Agravedict........................http://www.agravedict.art.pl Anakata..............................http://www.anakata.art.pl ANDESA Soft International..................http://andesa.da.ru Astral..............................http://astral.scene-hu.com Astroidea........................http://astroidea.scene-hu.com AtomiK....................................http://atomik.ini.hu Bomb..................................http://bomb.planet-d.net BlaBla..............................http://blabla.planet-d.net Blasphemy..............................http://www.blasphemy.dk Byterapers.....................http://www.byterapers.scene.org Calodox.................................http://www.calodox.org Chrome..............................http://chrome.scene-hu.com <*> Chrysalis.....................http://www.hszk.bme.hu/~s8149kez CoPro.....................................http://www.copro.org Damage...................................http://come.to/damage Dance...................................http://dance.flipp.net Defacto 2..............................http://www.defacto2.net Dolops......................... ........http://dolOps.scene.hu Exceed...........................http://www.inf.bme.hu/~exceed Fobia Design...........................http://www.fd.scene.org GODS...................................http://www.idf.net/gods Green.....................................http://green.dyns.cx Grif........................http://arrabonet.gyor.hu/~rattgrif Haujobb......................................http://haujobb.de Hellcore............................http://www.hellcore.art.pl IJSKAST.............................http://www.ijskast.cjb.net Immortals..............................http://imrt.home.ml.org Infuse...................................http://www.infuse.org Just For Fun...........................http://jff.planet-d.net Kilobite...............................http://kilobite.cjb.net Kolor................................http://www.kaoz.org/kolor Kooma.....................................http://www.kooma.com Label zero.........................http://labelzero.pganet.com Mandula.........................http://www.inf.bme.hu/~mandula Monar................ftp://amber.bti.pl/pub/scene/distro/monar Nextempire..................http://members.xoom.com/NEXTEMPIRE Ninja Gefilus.........http://www.angelfire.com/or/ninjagefilus Noice.....................................http://www.noice.org Orion..............................http://orion.arfstudios.org Quad........................................http://www.quad.nl Rage........................................http://www.rage.nu Replay.......................http://www.shine.scene.org/replay Retro A.C...........................http://www.retroac.cjb.net Rhyme................................http://rhyme.scene-hu.com Skytech team............................http://www.skytech.org Sunflower.......................http://sunflower.opengl.org.pl Suspend......................http://www.optimus.wroc.pl/rappid Tehdas...................................http://come.to/tehdas Tesko..........................http://www.scentral.demon.co.uk The Black Lotus.............................http://www.tbl.org The Digital Artists Wired Nation.http://digitalartists.cjb.net The Lost Souls...............................http://www.tls.no TPOLM.....................................http://www.tpolm.com Trauma.................................http://sauna.net/trauma T-Rex.....................................http://www.t-rex.org Unik.....................................http://www.unik.ca.tc Universe..........................http://universe.planet-d.net Vantage..................................http://www.vantage.ch Music: Aisth.....................................http://www.aisth.com Aural planet........................http://www.auralplanet.com Azure..................................http://azure.zerion.com Blacktron Music Production...........http://www.d-zign.com/bmp Chill..........................http://www.bentdesign.com/chill Chippendales......................http://www.sunpoint.net/~cnd Chiptune...............................http://www.chiptune.com Da Jormas................................http://www.jormas.com Fabtrax......http://www.cyberverse.com/~boris/fabtrax/home.htm Five Musicians.........................http://www.fm.scene.org Fridge...........................http://www.ssmedion.de/fridge Goodstuff..........................http://artloop.de/goodstuff Ignorance.............................http://www.ignorance.org Immortal Coil.............................http://www.ic.L7.net Intense...........................http://intense.ignorance.org Jecoute.................................http://jecoute.cjb.net Kosmic Free Music Foundation.............http://www.kosmic.org Level-d.................................http://www.level-d.com Miasmah.............................http://www.miasmah.cjb.net Milk.......................................http://milk.sgic.fi Mah Music.............................http://come.to/mah.music Maniacs of noise...............http://home.worldonline.nl/~mon MAZ's Sound homepage.............http://www.th-zwickau.de/~maz Mo'playaz..........................http://ssmedion.de/moplayaz Mono211.................................http://www.mono211.com Morbid Minds..............http://www.raveordie.com/morbidminds Noise................................http://www.noisemusic.org Noerror......................http://www.error-404.com/noerror/ One Touch Records......................http://otr.planet-d.net Park..................................http://park.planet-d.net <*> Phluid..................................http://phluid.acid.org Radical Rhythms.....http://www.andrew.cmu.edu/user/merrelli/rr RBi Music.............................htpp://www.rbi-music.com Ruff Engine................http://members.xoom.com/ruff_engine SHR8M......................................http://1st.to/shr8m Sound Devotion................http://sugarbomb.x2o.net/soundev Soundstate.........................http://listen.to/soundstate Sunlikamelo-D...........http://www.error-404.com/sunlikamelo-d Suspect Records........................http://www.tande.com/sr Tequila........................http://www.defacto2.net/tequila Tempo................................http://tempomusic.cjb.net Theralite...........................http://theralite.avalon.hr Tokyo Dawn Records........................http://tdr.scene.org UltraBeat.........................http://www.innerverse.com/ub Vibrants................................http://www.vibrants.dk Wiremaniacs.........................http://www.wiremaniacs.com Others: Arf!Studios..........................http://www.arfstudios.org Calodox demolinks exchange.....http://calodox.planet-d.net/cde #coders..................................http://coderz.cjb.net Comic Pirates.........................http://scene-central.com Demonews Express.........http://www.teeselink.demon.nl/express Demo fanclub........................http://jerware.org/fanclub Demoscene.org news forum..............http://www.demoscene.org Digital Undergrounds.....................http://dug.iscool.net Doose charts...............................http://www.doose.dk Dreams2 CD.........................http://nl.scene.org/dreams2 Freax...................http://freax.scene-hu.com/mainmenu.htm GfxZone............................http://gfxzone.planet-d.net Hugi size-compo...............http://home.pages.de/~hugi-compo Orange Juice.........................http://ojuice.citeweb.net PC-demos explained.....http://www.oldskool.org/demos/explained Pixel...................................http://pixel.scene.org Scenet....................................http://www.scenet.de Sunray..............................http://sunray.planet-d.net Swiss List.................http://www.profzone.ch/vantage/list Swiss Scene Server.......................http://www.chscene.ch TakeOver................................http://www.takeover.nl Textmode Demo Archive.................http://tmda.planet-d.net Hungarian scene page...................http://www.scene-hu.com Trebel...................................http://www.trebel.org Zen of Tracking.........................http://surf.to/the-imm DiskMags / SceneMags: Amber...............................http://amber.bti.pl/di_mag Amnesia...............http://amnesia-dist.future.easyspace.com Demojournal....................http://demojournal.planet-d.net Dragon......................http://www.wasp.w3.pl/pages/dragon Fleur................................http://fleur.scene-hu.com Heroin...................................http://www.heroin.net Hugi........................http://home.pages.de/~hugidownload Music Massage......................http://www.scene.cz/massage Planet Chartmag...........http://www.agravedict.art.pl/planet/ Pain..................................http://pain.planet-d.net Scenial...........................http://www.scenial.scene.org Static Line......................http://www.ic.l7.net/statline Total Disaster...................http://www.totaldisaster.w.pl TUHB.......................................http://www.tuhb.org WildMag...........................http://www.wildmag.notrix.de FTPs: Amber.......................................ftp://amber.bti.pl Cyberbox.....................................ftp://cyberbox.de Flerp.....................................ftp://flerp.scene.hu Scene.org..................................ftp://ftp.scene.org Skynet archive.................ftp://acid2.stack.nl/pub/skynet ACiD2 Archive.............................ftp://acid2.stack.nl --=--=-- ----=--=------=--=------=--=------=--=------=--=------=--=------=--=------ Editor: Coplan / D. Travis North / coplan.ic@rcn.com Assistant Editor: Gekko / Gergely Kutenich / gk@scene.hu Columnists: Coplan / D. Travis North / coplan.ic@rcn.com Dilvish / Eric Hamilton / dilvie@yahoo.com Gekko / Gergely Kutenich / gk@scene.hu Louis Gorenfeld / gorenfeld@vrone.net Setec / Jesper Pederson / jesped@post.tele.dk Seven / Stefaan / Stefaan.VanNieuwenhuyze@rug.ac.be SiN / Ian Haskin / sin@netcom.ca Subliminal / Matt Friedly / sub@plazma.net Tryhuk / Tryhuk Vojtech / xtryhu00@stud.fee.vutbr.cz Virt / virt@bellsouth.net Technical Consult: Draggy / Nicolas St. Pierre / draggy@kosmic.org Jim / Jim Nicholson / jim@kosmic.org Static Line on the Web: http://www.ic.l7.net/statline ftp://flerp.scene.hu/scene/DiskMag/StaticLine To subscribe to the Static Line mailing list, send an e-mail message to "majordomo@kosmic.org" with "subscribe static_line " in the message text. You will then be asked to confirm your addition to the mailing list. Expect a new issue during the first weekend of each month. To unsubscribe from the mailing list, send an e-mail message to "majordomo@kosmic.org" with "unsubscribe static_line " in the message text. Your subscription will then be removed. If you would like to contribute an article to Static Line, be aware that we will format your article with two spaces at the beginning and one space at the end of each line. Please avoid foul language and high ascii characters. Contributions should be mailed to Coplan (coplan.ic@rcn.com). See you next month! -eof---=------=--=------=--=--